Beck: “Morning Phase”

Alright, at first I thought this whole Kayne West vs. Beck at the Grammys thing was kind of funny and just further proof of what a total fucking idiot Mr. West really is. But after spending just about every waking minute since Sunday night listening and re-listening to Morning Phase — which I got for Christmas and is already right up there with Mutations and Sea Change as one of my favorite Beck albums of all time — I’m done thinking it’s funny. And actually, I’m kinda pissed.

Morning Phase is a gorgeous, shimmering piece of folksy pop/rock perfection. Seriously, I want to just close my eyes and dive into some of those songs, this is Beck on overdrive and this album is freaking glorious on every level. And for anyone, anywhere to even remotely suggest that this lush, sensual album for the ages is in any way not Grammy-worthy is just fucking crazy. Yeah, I know, I dropped two F-bombs in one blog post, sue me.

The other thing that really irks me is that Beyoncé (who, by the way, is totally blameless here. It’s not her fault Kayne is an asshat!) already has a staggering 20 Grammys to her name. In fact, she is the most nominated female artist in Grammy history and the second most honored female artist at the Grammys like, ever. Trust me, Sasha Fierce don’t need no more Grammys.

By comparison, Beck has won six career Grammys. Six! When Star Wars: Episode VII opens this May there will be more Star Wars movies than Grammys with the name Beck on them in the world. And as much as I love me some Star Wars, that is just plain crazy.

So, even though this will cost me another quarter in the swear jar at home, I gotta say it: go fuck yourself, Kanye! Whew, I feel so much better. Thanks. Now, if you haven’t already checked out 2014’s Album of the Year, get stepping. It’s amazing!

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Oscar Nominations 2014

I know I’m a week late with my coverage of this year’s Oscar nominations, but, trust me, it’s been one hell of a week. Took a road trip to Northern California over the weekend and then came home to all kinds of insanity, so, please forgive me.

That said, this year’s crop of movies is fantastic! Although we have yet to see several of the Best Picture nominees, we did manage to watch screeners of most of the heavy hitters this season over the holidays — and I saw and loved both American Hustle and Gravity last week on the big screen — so, we’re catching up.

And while I’m pleased with almost all the nominees (except for the two acting nods for the overcooked melodrama of August: Osage County, which just might go on record as my least favorite Meryl Streep movie ever) the most exciting thing for me is that two of my all-time-favorite writer/directors of all time, Spike Jonze and Alfonso Cuarón, are finally getting some richly-deserved Oscar love from the Academy.

True, they’ve both been nominated before, but, never have they dominated the race as much as they do this year with their groundbreaking work on Gravity and Her. My dream outcome this year would be for Cuarón to take the directing Oscar for Gravity and for Jonze to take the screenplay award for Her. But, either way, I’m just happy they’re both in the running.

Speaking of writer/directors I love, I was very pleased to see David O. Russell returning to his goofy, idiosyncratic roots with the very cool American Hustle. The movie is big, messy and funny as hell and is probably Jonze’s stiffest competition in the Best Original Screenplay category, but, I loved it.

Also very glad to see Cate Blanchett snare a Best Actress nod and Woody Allen score his record 16th screenplay nomination for Blue Jasmine. But, my favorite nominee of all is probably Sally Hawkins who scored her first Oscar nomination for playing Blanchett’s sister in Jasmine. Blanchett deserves every award she’s won for the movie, but, without Hawkins beautifully-nuanced work to balance her performance out, Jasmine wouldn’t be nearly as good. Seriously, Hawkins is fantastic!

I also loved the fact that Nebraska scored so many major nods (go, June Squibb!) and that Frozen scored a Best Animated Film and song nomination for the epic “Let it Go.” We listen to that song daily in the car (I think I actually like it more than Greta does!) so, I’m dying to see which of the two versions will be performed at the Oscars: the rocking radio cut by Demi Lovato or the soaring Idina Menzel version from the movie. They’re both awesome, so, as long as they don’t roll out some other cheeseball to sing all the nominated songs, I’m cool.

Oh, and finally, in a year that has seen female employment rates in the industry drop to a 27 year low, I think it’s really cool that a female producer scored not one, but two Best Picture nominations this year. So, kudos to producer Megan Ellison for her fine work on Her and American Hustle.

To see a full list of all of this year’s contenders, click here.

AFI’s 10 Best Movies & TV Shows (2013)

I was already feeling woefully behind in my award season movie watching when the American Film Institute released their ten best list this week and totally sealed the deal. Sadly, I have seen only one of the movies on this list. Yikes…

And though AFI’s annual list is hardly an accurate predictor of future Oscar glory, it definitely puts a spotlight on films with award season momentum. And with films like Her, 12 Years A Slave and American Hustle already doing very well with the National Board of Review and various film critics groups around the country, a nod from the AFI never hurt anyone.

So, while I try to scramble to find a babysitter so I can actually try and see some of these movies, please enjoy this year’s pick of AFI honorees.